Independent Creative — Available for select work
LEDUMBINY
I make motion and graphic design for people who need someone who actually understands their space, not just someone who can animate a logo reveal. Most of my work sits at the intersection of web3 and brand storytelling, so I'm not learning your industry on your dime. I write, design, and edit everything myself, across static and motion. You're not managing three freelancers and a slipping timeline you're working with one person, concept to final export.
About
A quiet obsession with how things move.
I design and animate at the intersection of web3 and brand storytelling — work that requires actually understanding the space, not just executing a brief. I handle everything myself, from concept to final export, across both static and motion. That means no learning curve on your dime, and no freelancers to coordinate — just one person accountable for the whole project.
Projects Completed
Clients Worked With
Videos Edited
Designs Created
Years of Experience
Selected Work
Five disciplines, one standard.
Each category has its own language. Pick a room and walk through it.
Creative Process
How the work actually gets made.
Seven stages, in order. Most of the value is created before anything moves.
Discovery
Understanding the brand, the audience and what success actually looks like before touching a single frame.
Research
References, competitor teardowns and visual language studies to find the space nobody else is occupying.
Planning
Storyboards, moodboards and structure. The hardest problems get solved on paper, not in the timeline.
Design
Type, colour, composition and detail — building the still frames that everything else grows from.
Animation
Timing, easing and weight. Movement is written like a sentence, with rhythm and punctuation.
Editing
Pacing, sound design and grade, cutting until nothing can be removed without loss.
Final Delivery
Format-ready masters, source files and templates so the work keeps living after hand-off.
Toolkit
The software, and what I actually do with it.
In practice
Premiere Pro
Long-form assembly, multicam documentary work and precise sound-led pacing.
Used on
Testimonials
What clients say afterwards.
He treats a thirty-second edit like a feature film. The care shows in every frame we shipped.
Marielle Vance
Brand Director, AURUM Reserve
Briefs came back better than we wrote them. That is the difference between a vendor and a creative partner.
Noor Haddad
Head of Growth, Terra Studio
Calm, fast and completely unflappable under a deadline. Our launch would not have landed without him.
Idris Kaye
Founder, Foundry Nine
The motion signature he built is now the most recognisable part of our brand.
Lena Ostrom
Creative Lead, Obsidian Atelier
He treats a thirty-second edit like a feature film. The care shows in every frame we shipped.
Marielle Vance
Brand Director, AURUM Reserve
Briefs came back better than we wrote them. That is the difference between a vendor and a creative partner.
Noor Haddad
Head of Growth, Terra Studio
Calm, fast and completely unflappable under a deadline. Our launch would not have landed without him.
Idris Kaye
Founder, Foundry Nine
The motion signature he built is now the most recognisable part of our brand.
Lena Ostrom
Creative Lead, Obsidian Atelier
Behind the Scenes
The unglamorous half of the work.
Sketches, storyboards, failed tests and the setup it all comes out of.
Contact
Let's make something
worth watching.
Taking on a limited number of projects. Tell me about the brand, the deadline and the idea — I'll reply within two working days.